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Feature Length Screenplay
Drunk at Five

INT. WRITER'S OFFICE-- NOW

WRITER slaves over perfect copy for client. Below his desk is a single red wire and the barely audible sounds of TICK, TICK, TICK...

Creating character, tension and plot are some of my strongest abilities. Writing for the screen (both big and small) requires dedication, an ability to revisit, revise and raze if necessary. And it requires a strong visual sense. Today's stories are not just text on a page, or text on a screen. They're images and experiences and today's storyteller has to exploit their craft in a multitude of mediums. Linked below is an example of a feature length script currently being shopped (along with others) in L.A.

Marriage can be fun if you're as sophisticated and soused as Dashiel Hammet's husband and wife detective team, Nick and Nora Charles. Click on the image to the left for the opening ten pages for the script that brings these Thin Man alumni into the twenty-first century: Drunk at Five.